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Modifying The Multi Then when you assign another new piano sound, you would have to reset the parameters all over again. For playing up to 16 programs together for multi-timbral sequencing, layering and key splits. For example, the auto-panning and effects send would affect all samples equally – when using the RNUM function, one sound in the layer could be panning slowly left to right routed to FX1 whilst another stays central through RV3.
Something similar could be done with synth bass samples or other synth noises that have a pronounced filter sweep attack.
Like the sawtooth wave, it can be inverted at the input stages of each destination. d3000xl
If you are playing a complex piece of music using many programs in a multi-timbral configuration, it is a good idea to set important programs to HIGH or HOLD and less important, background programs to LOW. You will receive something like this screen display: One of the beauties of the Akai samplers is that there are no restrictions on what you do with samples – any sample can be placed into any keygroup in any program.
Akai S3000XL Manuals
C liEiEi lasaa iMa inmi ima ezsm tune As usual, the program name is displayed at the top right of the screen – a different one may be selected if you wish. This has another implication. Once you’e done that, move the cursor to the next part and select the program for that and so on. Pressing it again will reverse the sample back to its original form. This allows you to set crossfades for keygroups that overlap.
In the SXL, we always use another program as the basis for a new one. Env2 – Shaping The Filter This will set how much key position will affect both rate 2 and rate 4. HO YES 1 Press the appropriate soft key if you are sure that you want to delete the program and its associated samples. Let’s now have a look at the filter’s parameters.
Before you can use the disk record functions, it is necessary to format your hard disk. As well as using them for the tonal modification of acoustic samples, they also allow you to totally transform a sound.
If you are at all unsure about certain functions, please refer to the appropriate section in this manual for more information. The effect the loudness modulation parameters have on the overall loudness of the program depends on the modulation source you select. With a positive value set here, playing a note hard will introduce a level of modulation which may be augmented using the modwheel or pressure. Naming Files – The Name Key The trick with this method is that both samples share the same processing with the filters and envelope generators aakai adjustment and editing very simple.
These modulation sources are routed to their destinations in a group of pages at the end of the program Each keygroup has these modulation facilities available separately allowing an enormous amount of flexibility and this, combined with the all the other PROGRAM EDIT functions should keep you happy for a long time!
The Second Filters If s300xl program is set to LOW priority, then notes from this program will be stolen first. The reason for this is that the depth: Midi Controller List You may have more than sixteen programs active at once although there are not more than sixteen MIDI channels, you may have layered programs in a multi-timbral setup.
Two ‘spare’ channels of reverb amai also available providing a total of four reverbs. For example, with samples such as piano or marimba or vibes, you could create the stereo effect of microphones being placed at either end of their keyboards to produce a panning effect. Assigning Effects To Single Programs One of the disks supplied with the sampler contains a demo sequence – you can use this to check out the SMF functions. The Parameter Page Applying LF02 to delay will only have an effect at the point of note-on.
This is done in the SCSI page.
NORM is, of course, normal priority and sets standard dynamic voice allocation and note stealing will take place with no particular priority. Sometimes when crossfading, because part of the area chosen for crossfade may be slightly s3000xl of phase with the loop area, you may sometimes get a dip in level where they cancel each other out.
Renaming Files Once set, you may turn this on and off freely in the field.
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Aside from all the fun things you can do with envelope shaping, filtering and so forth, it is in a program that you map all these multi-samples across the keyboard. If you create a new sample, this will be created in RAM but if you choose to overwrite the original sample, you will receive the above prompt. As a result, take care to watch levels.